At the Neo-Futurists, Johnston facilitated two projects specifically about the intertwining history of racism and patriotism in this country including “45 Plays for America’s First Ladies” which offered an alternate history of America, one that center the labor of those who were systematically refused political power, and asking the audience to rethink what we’ve been taught about who built this country. Her interests seem diverse, but there’s a throughline. Performance plays with our emotions in a very small world, the world of the theatre. When we allow ourselves to connect philosophy and politics to lived experience, abstract concepts come into focus. Johnston uses performance to teach, but only when it is connected to emotion.
Chloe Johnston
Spring 2020 Co-MISSION Fellow-in-Residence
Chloe Johnston has always made performances out of weird things. A political cookbook found in a dusty basement. Fragmentary notebooks kept by Walt Whitman while he nursed soldiers during the Civil War. An academic text about the images on the margins of medieval manuscripts. She is drawn to the weird detail, the cryptic message, the un-adaptable.
For nearly two-decades Johnston has worked as a performer, writer, director, and dramaturg, on stages throughout Chicago. For many years, she performed with the Neo-Futurists in their late- night show, Too Much Light Makes the Baby Go Blind. Every week, she wrote and performed two-minute plays that responded to the world events, bared her soul, and expanded the definition of performance, while still holding the attention of a rowdy late-night audience. She loves the world of collaboratively generated performance so much that she co-wrote a book about it.
PROJECT AT LINKS HALL
GRACE | Planned for June 2020
Chloe Johnston’s GRACE is an original performance piece that blends live action, film, and interactive gaming to explore the connections we seek and forge in mediatized games. It is also a personal meditation on power, performing, and what happens when your voice is no longer something you control. GRACE looks at the bodies that make the technology that makes our lives.