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OPENPORT:
Realtime Performance, Sound, & Language
January to March 2007: Links Hall’s
new Artistic Associates each curate a month-long series of performance,
based on expertise in their respective artistic fields. February’s
program was curated by Nathan Butler (US), Mark Jeffery (UK), Judd
Morrissey (US), and Lori Talley (US).
Tyne Dogger, Thames, Fitzroy:
westerly variable—7 British Artists dock at OPENPORT.
OPENPORT includes a group of UK artists, who offer a unique perspective
on current UK performance practices. “Tyne Dogger, Thames,
Fitzroy” refers to the institution of the British Shipping
Forecast, which is delivered each day on BBC Radio, and lists the
geographic areas these artists are from. It also references the
most Westerly shipping point in the Atlantic Ocean, Fitzroy, facing
towards America and the OPENPORT of Links Hall and Chicago. These
artists are highlighted on each week’s page with an asterisk.
www.openportchicago.com
Julia
Mayer
Coffee Dance
Friday February 2, 9:30am
Free
BYOC (bring your own coffee)
Once a month, Julia Mayer opens her
weekly Friday morning solo movement practice to the public. In this
ongoing series of engaged, informal performances, her idiosyncratic
movement adventures are an invitation to watch, feel, and find creative
impulse in unexpected places. Mayer's current movement practice
is influenced by her studies with Deborah Hay, her years dancing
with Chicago-based improvisation collective FUSE, and qi gong. The
performance will last approximately 20 minutes.
“[her] movement is refreshingly
off the map” - Chicago Reader
“a delicately luminous, inquisitive stage presence”
- TimeOut Chicago
Molly
Shanahan/Mad Shak
Hidden Compartments: Listening and Conversation with David Pavkovic
Saturday, February 10, 2pm
Free
Join musician David Pavkovic as he reveals the process of creating
one of the commissioned scores to Molly Shanahan/Mad Shak’s
new performance My Name is a Blackbird. Listen to his sketches as
he ponders his own questions about dance, music, and compartmentalization
with Molly Shanahan. Blackbird receives its premiere in Chicago
April 12–29, 2007 at The Building Stage. David Pavkovic's
original score is one of three created for My Name is a Blackbird,
all of which are commissioned through Meet the Composer’s
Commissioning Music/USA program. www.madshak.com
Xwing
Calling-card Theatre -
theatre that comes to you
Booking for March 2007
Xwing present a season of performances that offers theatre in the
comfort of your own home. Choose two plays from a menu that includes
the French avant-garde (Rachilde and Alfred Jarry) and a contemporary
take on the English traditional puppet show Punch and Judy. Invite
your guests for drinks, cook them dinner, arrange a potluck, or
just pass out the popcorn, and enjoy a unique theatrical event.
A list of the plays on offer can be seen at www.nicholaslowe.co.uk.
Call Links Hall at 773 281 0824 for
more information. Reservations start at $150, and a member of Xwing
will visit your home to confirm the details for your very own private
performance. This program is partially supported by a grant from
the Illinois Arts Council, a state agency.
Coming soon:
March: Tramp: Dances from
Minneapolis – curated by the Minneapolis-based,
Chicago-bred, choreographic duo HIJACK
OPENPORT was made possible
with support from Arts Council England, Cynthia Ashby, The Boeing
Company, The Chicago Department of Cultural Affairs, Stanley Thomas
Johnson Foundation, The James and Purcell Palmer Foundation, Poets
& Writers Inc., The School of the Art Institute of Chicago (the
departments of BFA Writing; Film, Video and New Media; Performance;
Sound; First Year Program; and President’s Office), Sofitel
Chicago Water Tower, and many generous individual donors, including
Jeff Carter, Susan Carter, Goat Island Performance Group, Bill Lavicka,
Bonnie Marcus, and Emily Twomey.
Marie
Cool & Fabio Balducci are Funded by Arts Council England with
generous support from the Stanley Thomas Johnson Foundation.
Fiona Wright is Funded by Arts Council England
The Tyne Dogger program is partially supported by
a grant from the Illinois Arts Council, a state agency.
The Disappearance of Latitude Symposium was made
possible with support from The School of the Art Institute of Chicago’s
Performance Department, with financial contributions from SAIC’s
Visiting Artists Program, Betty Rymer Gallery, Dean’s Office,
Visual and Critical Studies, and the Art and Technology Department.
Special thanks to the Cultural Services of the French
Embassy, Chicago.
Links
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