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| Links Hall’s workshops
are dedicated to nurturing the unique creativity of your own
expression, through the exploration and practice of contemporary
methods with passionate, intelligent, and informed artist-instructors.
Links Hall is located at 3435 N. Sheffield Avenue, Chicago.
CTA Trains/Buses: Red Line to Addison or Belmont, Brown line
to Belmont, Clark Bus to Clark/Newport. Driving: parking is
a challenge, there are meters and residential codes apply.
Pay lots are available up to $20. Please call us for directions,
suggestions. Links Hall is a second floor walk-up; there is
no elevator or escalator.
For more information or to register for
any of the following workshops contact Erica or CJ at 773.281.0824
or info@linkshall.org.
Links Hall is located at 3435 N. Sheffield
Avenue, convenient to the Addison Red Line El stop.
CLASS POLICIES
Classes are usually open to all participants with at least
beginning/intermediate skills in body/mind awareness (such
as those developed through dance, yoga, martial arts, etc.)
Please wear bare feet and comfortable clothing, and arrive
at least 5 minutes prior to class to sign in and change. Refunds
only in cases of illness or injury.
Please check the Links Hall bulletin board
for independent dance and movement
classes that are going on in the space.
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These workshops
are part of the March 2006 program “The
Body Breaks – Butoh, Breakdancing and Beyond”
Workshops are open to all; no prior dance experience
is necessary. Space is limited. Register for any workshop by March
8th and receive a two-for-one voucher to see any performance during
The Body Breaks at Links Hall.
Tracing Transformation
with Marianne M. Kim and Rodney Mason
March 11, 2006
Saturday, 11:00am-4:00pm
at Links Hall
$50
Kim will guide students to create and deconstruct image and movement
through rigorous butoh techniques (Hijikata and Ohno methods) and
the Suzuki Acting Method. Mason will teach House dance, a style
dedicated to footwork and living inside the music. Kim was an artistic
associate of Chicago performance collective XSIGHT! (1993-2001),
and has presented performance and video work around the world; she
is currently an assistant professor at Arizona State University’s
Interdisciplinary Arts Program. Since the age of 13, Mason has been
performing and teaching around the country. As the last core member
of Rennie Harris Pure Movement, a hip-hop dance company dedicated
to preserving and disseminating hip-hop culture, Mason explores
the outer rim of hip-hop through performance and film.
Butoh Ritual Mexicano
with Diego Piñón
March 11 and 12, 2006
Saturday and Sunday, 10:00am-6:00pm,
at The Spareroom, 2416 W. North Ave
$185
Complementing his extensive training in bio-energetics, contemporary
dance and theatre, and traditional Mexican ritual, Diego Piñón
danced with the Japanese butoh groups Byakko-Sha and Min Tanaka's
Maijuku. Since 1987, he has continued to refine the master butoh
techniques with Natsu Nakajima, Yoshito Ohno, and the co-founder
of butoh, Kazou Ohno; and continues to define his own dance, Butoh
Ritual Mexicano. The Butoh Ritual Mexicano approach proposes research
into how to discover, to direct, and to expand personal energy through
movement. Challenging physical, emotional, and spiritual limits
through group interactions and dance explorations, you will receive
provocation and guidance encouraging you to discover a deep and
personal acknowledgment.
Body Resonance
with Yumiko Yoshioka
March 18 and 19, 2006
Saturday 10:00am-4:00pm
at Links Hall
Sunday 10:00am-2:00pm
at The Spareroom, 2416 W. North Ave,
$135
Yumiko Yoshioka was a member of the first all-female Japanese butoh
dance group, ARIADONE. Living in Germany since 1988 and co-founder
of TEN PEN CHii art labor, Yoshioka researches the interactivity
between dance, space, and visual art. With a background in butoh,
Noguchi Gymnastics and Juken (Chinese Soft Martial Arts) her workshops
are based on flowing, organic movement and vital energy (ki). The
root of this body work is threefold: to relax alone, to obtain a
higher level of concentration, and to activate potential energy
within us. Using a combination of imagery with body movement, and
through a dialogue with our body, we learn not how to move, but
to be moved. Consequently we realize that we are a part of a universal
wholeness.
Post-Modern Butoh
with Vangeline of Vangeline Theatre
March 25, 2006
Saturday, 11:00am-4:00pm
at Links Hall
$50
During the workshop, a supportive environment will be created in
order to regenerate energy through a dance offering. Participants
should be willing to explore their emotions and use them as a tool
for expression through the dance. The workshop will focus on connections
between students, incorporating strength building exercises, and
awakening the joints with bio-energetic movement. Vangeline is the
Artistic Director of the Vangeline Theater, and a student of Diego
Piñón and Tetsuro Fukuhara. She teaches post-modern
butoh classes in New York and is a Dance teacher at Brooklyn College.
OTHER WORKSHOPS
Dancers Direct
with Molly Shanahan of Mad Shak Dance Company, and others
March 6, 2006
Monday, 6:00pm-8:00pm
$10
Dancers Direct is a series of four monthly gatherings for artist/administrators
at any stage of their careers. The first hour includes information
exchange and discussion about Budgeting & Finance, with the
final hour devoted to silent, unstructured, movement practice. Limited
to 15 participants. Subsequent sessions will focus on Grantwriting
and Marketing.
Advanced Movement
with Molly Shanahan of Mad Shak Dance Company
March 27 through May 15, 2006
Mondays, 4:00-5:30pm
$12 per class, drop-in’s welcome
Shanahan's advanced movement classes stem from her improvisational,
compositional, and pedagogical research, study of the Feldenkrais
Method, mindfulness, and a softening of muscular holding to release
the skeleton for increased expressivity and articulation. www.madshak.com
Links Hall
Supporters
The Body Breaks: Butoh, Breakdancing, and Beyond
was made possible with support from The Boeing Company, Elizabeth
F. Cheney Foundation, The Chicago Department of Cultural Affairs,
The Dance Center of Columbia College Chicago, The Japan Foundation,
Illinois Humanities Council (with the National Endowment for the
Humanities, and the Illinois General Assembly), Moveable Beast,
The School of the Art Institute of Chicago, and an anonymous donor.
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